Cue another chain link transitioning into Bruno walking with resolve among the chains and a blocky wall to his right, as well as a small sun rotating behind his head, submerging him in shadow and creating his silhouette. The scene cuts to a symmetrical shot of Fugo, the screen slit in a mirrored fashion as he turns to look at the camera before leaning back, before his silhouetted face emerges and lunges back.
The camera zooms towards his hands before multiple chains zoom forward passed the camera, revealing multiple interposed shots of Narancia framed inside chain links with different lighting until his silhouette is seen from the back staring away with the wind blowing. Abbacchio finds himself in a hourglass (framed by a pattern featured on a certain Stand), revealing his feet sinking into the sand while the camera pans to reveal the other side, his silhouetted double burdened by a mass of chains flowing upside-down into its hands from the hourglass' neck where the stream of sand would be coming in. The scene is cut to a stone head of Abbacchio's former partner hitting the ground and turning into sand, the same sand which flows into and out of Abbacchio's hands.
She fades into her silhouette before she falls out of the frame and the chains shatter. The rifling suddenly transforms into a spiral of chains, in the middle of which Trish helplessly falls, her face apathetic. He too turns into a silhouette before the camera zooms into the barrel. Surrounded by the chains, the gunslinger draws his revolver, prepared to shoot. The scene changes to Mista running into the light. Rose petals fly passed him, turning him into a silhouette of himself. A bleeding hand appears, the blood dripping onto the floor before chains sprout forth from the puddles and surround Giorno, who keeps a defensive pose, but a determined gaze.
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